We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Թ​ա​ղ​վ​ա​ծ Ա​վ​տ​ո​պ​ո​ե​տ​ի​կ բ​ա​ն​ե​ր

by nona.emanon.4

supported by
nao_21
nao_21 thumbnail
xiukj
xiukj thumbnail
/
1.
Վիստարիա [Vistaria] 02:05
2.
ոսկի:զաֆրան [voski:zafran] 10:57
3.
Վերածնունդը [Veratsnundy] 16:12
4.
Գլոբուլային Տամացույց [Globulayin Zhamats'uyts'] 03:49
5.
ժանգոտ երկաթի գույնը [zhangot yerkat’i guyny] 07:01
6.
Ռեինկառնացիա [RRevnkarrnats'ia] 15:58
7.
ԿապույտԼուսին [KapuytLusin] 06:07

about

T'aghvats Avtopoyetik Baner

intentional degenerated things 1: irreversible conversion

"In these process, I digged up the material that I had stored. I tried to add a reinterpretation that would destroy the data again. Although these were not suitable for making it into vaporwave material, repeating adding some effects, converting frequency/bit rate conversion, changing pitch and time-stretching over and over again, prompted non-alternative sequential phase transition - even digital data. In other words, this may be the result of digital degeneration or degradation following analog data. But with those components that show the process, they have apparently turned into completely different things. Nevertheless, it can be seen that the original appearance itself isn't lost if it's returned to the original pitch and length of time. It can be said to be an autopoiesis concept in original autonomy that remains like a ghost and semi-automatic creation of another from the origin."

"As everyone would recognize, there's no worth for this price. This pricing is based on the fact that nobody wants to buy such works or nobody needs to get them. An idea that doesn't propagate and doesn't want to propagate, is just self-righteousness, target of disdain and ridicule, and only a matter of several seconds remaining in short-term memory. As personal motivation and interest, the moment I released something what I have created is my peak."

"But, no matter what obstacles there is a way out where surprisingly in close proximity place."

for further details:
ne4lg.delphinix.ws/taghvats-avtopoyetik-baner

credits

released June 22, 2019

Equipments:
01 KORG TRINITY plus
02 KORG M01
03 KORG X3, Fostex Multitracker XR-7
04 KORG X3, TRINITY plus, Roland JV-880 with SR-JV80-04
05 KORG M01, part of ferrugineus outtake
06 KORG X3 with XSC-801, TRINITY plus, Roland JV-880 with SR-JV80-04
07 KORG X3 with XSC-801, Roland JV-880 with SR-JV80-04, Fostex Multitracker XR-7
B1 KORG X3 only, no overdub, no additional FX (P)1995 originally raw data from ATRD0100, 2019 remastered
Coderium SoundEngine, some VST effects

all composed, mixed, mastered by nona.emanon.4
photo, edited, designed, produced by odradek7743

copyright(C)1995, 1996, 1997, 2003, 2012, 2019 nona.emanon.4, D.i.D. UNITED synthetic expression, delphinix.ws all rights reserved.

license

all rights reserved

tags

about

nona.emanon.4 image

nona.emanon.4

Niemand hat mich je gekannt und niemand wird mich je kennen, aber vielleicht wissen Sie, wer ich bin.
Wenn Sie septuaginta septem et quadraginta tres kennen, sollten Sie ihn genauer fragen.

contact / help

Contact nona.emanon.4

Streaming and
Download help

Redeem code

Report this album or account

If you like nona.emanon.4, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Featuring Riley Pinkerton (aka The Rat Queen) from the theatrical NYC rockers, Castle Rat.
listen now