noise ambient/electronica/industrial by nona.emanon.4 used KORG M01D with additional FX and slightly overdub (however, almost all those parts derives from this tune). some of sections and parts were distorted by switching internal FX(reverb / sync delay) of M01D in realtime.
definite melody isn't present in this tune, more than half of polyphony are used to construct chords - 5thPad x 3-4、5thSine x 2-3: substantially 10-14 poly. by constructing one simple but huge sound layer, it's functioning as a melody part, as a chord part, and as a wall of sound.
KORG volca keys + BEHRINGER UM300 + SF300 + SF400 + RV600 (additional Ld)
extract from 'Caritas habundat in omnia (Antiphon)' by Hildegard von Bingen: "atque amantissima"
extract from 'O tu suavissima virga (Responsorium)' by Hildegard von Bingen: "in ipsa incarnari voluit"
demo version (used M01D only) is here:
#3 used KORG M01 only
#4 based by 'anacron' (from the DS-10 only album 'bootloader')
some multitracks by How To Destroy Angels 'The Space In Between' and broadcasts of UVB-76
Der Rand Des Wassers
a.l.m, genannt wurde cerestial, wurde ausgestossen aus dem Himmelsgewoelbe,
einmal hat er wurde stehen auf dass der Rand des Wassers.
endlos unruhigen Wellen hatte seine Fuesse benetzt,
es war genau wie die reife und Verfall seines Lebens Rande.
er wurde beraubt von seinen Namen und seine Handvoll ruhig Schicksal,
niemand weiss trotzdem schliesslich sang er ein Klagelied.
a.l.m, was called cerestial, was expelled from the heaven's vault,
once he was standing on that water's edge.
endlessly restless waves had wetted his feet,
it was just like the ripe and decay of his life's verge.
he was deprived of his name and his handful of calm fate,
no one knows that nevertheless eventually he sung a dirge.
dies irae, dies illa, solvet saeclum in favilla.